stick around, we'll figure it out

Developed in the 1930s, the "ball and biscuit" microphone 

was used by  the British Broadcasting Corporation (The BBC).

It's quite possible that I'm your third man, girl
But it's a fact that I'm the seventh son

It's quite possible that I'm your third man, girl
But it's a fact that I'm the seventh son
And right now you could care less about me
But soon enough you will care, by the time I'm done

Let's have a ball and a biscuit, sugar
And take our sweet little time about it
Let's have a ball, girl
And take our sweet little time about it
Tell everybody in the place to just get out
And we'll get clean together
And I'll find me a soapbox where I can shout it

You read it in the newspaper
Ask your girlfriends and see if they know
You read it in the newspaper
Ask your girlfriends and see if they know
That my strength is ten-fold, girl
I'll let you see it if you want to before you go

Let's have a ball and a biscuit, sugar
And take our sweet little time about it
Let's have a ball
And take our sweet little time about it
Tell everybody in the place to just get out
We'll get clean together
And I'll find me a soapbox where I can shout it

Yeah, I can think of one or two things to say about it, now listen

It's quite possible that I'm your third man
But it's a fact that I'm the seventh son
It was the other two which made me your third
But it was my mother who made me the seventh son
And right now you could care less about me
But soon enough you will care, by the time I'm done

Yeah, you just wait
So stick around, we'll figure it out

White once said he has three dads: his biological father, God and Bob Dylan. Dylan was the first concert he ever saw — he says he had seat No. 666 — and he shares with his hero a love for manipulating and obscuring his own persona. 

How Jack White got to play Ball & Biscuit with Bob Dylan:

“That was just by accident. I went and saw him play in Detroit and he said to me, “We’ve been playing one of your songs lately at sound checks.” I thought, Wow. I was afraid to ask which one. I didn’t even ask. It was just such an honor to hear that. Later on, I remember I went home and I called back. I said, “Can I talk to the bass player?” I called the theater. I was like, “Did Bob mean that he wanted me to play tonight? ‘Cause he said some things that I thought maybe – maybe I misconstrued. Was he meaning that he wanted me to play with him tonight? I don’t want to be rude and pretend that I didn’t hear or something like that.” So turned out yeah, we played together that night. He said yeah, come on, let’s play something, and we played “Ball and Biscuit,” one of my songs. It’s not lost on me that he played one of my songs, not the other way around.”

Jack Outside the Box - NY Times