"LIFE is a tragedy - hurrah!"

"Even in his tragedies there is room for laughter.  But not laughter for its own sake -- comedy relief. O'Neill is interested in comedy only when it expresses character; for it is life itself he records -- how man, the mixture of good and evil, the compound of vitality and aspiration, copes with the accidents that make up his life."   Alta May Coleman - Theatre Magazine 1920

The entire article, titled "Personality Portrait: Eugene O'Neill" can be found  here



ALL NIGHT I LINGERED AT THE BEACH
by: Eugene O'Neill

LL night I lingered at the Beach

And trod the board walk up and down--

I vainly sought to cop a peach.

 

I had prepared a charming speech,

To woo the fair ones of the town--

All night I lingered at the Beach.

 

Quoth I "Sweet damsel I beseech

That you will smile on me," poor clown!

I vainly sought to cop a peach.

 

With the persistence of a leech,

I clung to every passing gown--

All night I lingered at the Beach.

 

I swore my love to all, but each

Passed me the haughty freezing frown--

I vainly sought to cop a peach.

 

I prayed to all, both white and brown--

They only "kicked my dog aroun."

All night I lingered at the Beach--

I vainly sought to cop a peach.

Bob Dylan Charlie Chaplin Beyond The Horizon

 August Sunset in the Endless Mountains

by Leo

Bob Dylan Charlie Chaplin Beyond The Horizon

Vacuums, Pumps & Other Suckers

 

 

Vacuums, Pumps and Other Suckers

Barber jelly nausea
gets you on a streetcar
and your sump-pump sucks away
automatic like the action.
What can you do but ride it out
hang on to your umbrella
and curse your inexhaustible ammunition.

It was strictly a business relationship.
We never took advantage
of bubble gum expense accounts.
In stinky half-room hideaways
illusions aren’t deductible
they’re nest eggs.
Come and lay some more on me
I’m a game preserve.

Dicky with his brand new flat-top
swigging lemonade
comic book king of the housing project
and me, poor beggar.
Little Lulu on the auction block
Bugs Bunny under my arm
Peeking over paper pillars
I catch a glimpse of Dicky’s
French Provincial sister.
She’s tomorrow in her mirror.
Me? I’m yesterday in rags.

Enter Tommy Stoutman
in your custom tailored
Boy Scout khaki
two hundred pounds of high performance
what a heavy pledge!
“What’ll you give me for fifteen Batmen?”
The moldy monuments answer.
The super structure topples.
Fatso and Flat-top
are buried alive.
What can I do?
Spend my lifetime stacking funnies?

I run
with my friendly concussion
and Little Lulu.
Miss Frenchie
is swallowed by the dust
of her war dance.
“Some penance,” cries the cannibal
chop-licking, spitting silver fish.
Excelsior. Excelsior.
And all that sort of crap.
It fills me up.

Dicky and his trusty side-kick
from the land of the living dead
fly sheet-metal kites
send messages that never reach me.
Pony Express man
carrier pigeon
am I that hard to find?
Wasn’t that Dicky
marching for dimes?
A sneer and a crew cut
wrapped up in flannel.
“Your canceled check is your receipt,” he said
winking at the mail man.

And that one
denies he’s Mr. Fatso.
says he’s from Missouri.
I never did trust boy scouts
they rub my bones together
marching, always marching
through my forest sanctuary.
But Little Lulu knows
she keeps me posted
and free
from trail blazers
with hot little merit badges.
 CTC

How I came to write this poem:

When I was a kid, comic books were a big and wonderful part of my life. They were a great escape from the mundane. My favorites were Little Lulu, Bugs Bunny, Archie & Veronica, Batman, Superman and Prince Valiant. Occasionally I would get my hands on more gruesome (but innocuous) comics like Tales From The Crypt, Haunt Of Fear, The Vault Of Horror and others of that genre. Most of the time I bought my comic books from my weekly allowance or from money earned by babysitting . Sometimes I got paid for doing various odd jobs for neighbors; dusting knickknacks, scrubbing floors, or going to the store for them if they ran out of something they needed desperately, like a loaf of bread or a pack of cigarettes.

Another way of refurbishing my comic book stock and which didn’t cost me a dime (the actual cost of a comic book in those days was 10 - 25 cents), was swapping. These swap meets were usually arranged by the ring leader of the neighborhood kids whose name was Dicky Lacroy.  He had stacks and stacks of comic books on the floor in his room, and that’s where these swap meets were held. The only kid who had more comic books than Dicky, was Tommy Stoutman, a very large boy scout.  Dicky had to share the bedroom with his older sister who was not very friendly and resented the intrusion whenever there was a swap meet on Dicky’s side of the room. There was a makeshift divider of some sort, only about three feet high, running down the middle of the room and splitting it in two. Dicky’s bed was on one side, and his sister’s on the other. The divider was there only to mark territory and afforded no privacy at all for either of them. It was a joke.

Dicky was a very smug kid who wore his hair in the latest style called a flattop. He used some awful smelling pomade to keep every hair in place and sticking straight up on the top of his head like the bristles of a scrub brush. Tommy  probably weighed quite a lot, and had to have his boy scout uniform custom made. I was the only girl at the swap meets because, to my knowledge at least, I was the only girl in the project who loved comic books. I envied Dicky’s older sister because even though she had to share a room with Dicky, her side of the room was fit for a princess; white French Provincial furniture which included a small vanity and a canopy bed.  It was the first time in my life to see a canopy bed and it made an indelible impression on me.

The years passed. I moved away from the neighborhood, got married, had children. Once a man with a crew cut and a business suit came to my door collecting for the March of Dimes. He looked vaguely familiar. I asked him if he was Dicky. He said “no”. Another time I started to suspect that our very large mail man might be Tommy.   I asked him if he was. He said “no”.  And yet another time I was on the trolley going somewhere or other and a man got on and sat on the seat in front of me. He had a strange odor, the odor of Dippity Doo, the stuff Dicky used to keep his flat top spiffy.  All of a sudden, because of that odor, the memory of those comic book days in the old neighbor hood rushed back to me like a flood.

I went home and wrote a poem about it. 

Delia, oh Delia: "toleration of the unacceptable leads to the last round-up"

World Gone Wrong

Produced by Bob Dylan
Recorded and mixed by Micajah Ryan
Guitar, Vocals and harmonica performed by Bob Dylan
Mastered by Stephen Marcussen at Precision Mastering, LA

Design -- Nancy Donald
Photos by Ana Maria Velez
Back cover photo by Randee St. Nicholas

All songs traditional, arranged by Bob Dylan
(ASCAP), published by Special Rider Music
except "Lone Pilgrim" written by B.F. White 

& Adger M. Pace 

(publisher and performance rights society unknown.)

 "DELIA is one sad tale-two or more versions mixed into one. the song has no middle range, comes whipping around the corner, seems to be about counterfeit loyalty. Delia herself, no Queen Gertrude, Elizabeth 1 or even Evita Peron, doesn't ride a Harley Davidson across the desert highway, doesn't need a blood change & would never go on a shopping spree. the guy in the courthouse sounds like a pimp in primary colors. he's not interested in mosques on the temple mount, armageddon or world war 111, doesn't put his face in his knees & weep & wears no dunce hat, makes no apology & is doomed to obscurity. does this song have rectitude? you bet. toleration of the unacceptable leads to the last round-up. the singer's not talking from a head full of booze".

Bob Dylan, liner notes from World Gone Wrong

Delia was a gambling girl, gambled all around,
Delia was a gambling girl, she laid her money down.
All the friends I ever had are gone.

Delia's dear ol' mother took a trip out West,
When she returned, little Delia gone to rest.
All the friends I ever had are gone.

Delia's daddy weeped, Delia's momma moaned,
Wouldn't have been so bad if the poor girl died at home.
All the friends I ever had are gone.

Curtis' looking high, Curtis' looking low,
He shot poor Delia down with a cruel forty-four.
All the friends I ever had are gone.

High up on the housetops, high as I can see,
Looking for them rounders, looking out for me.
All the friends I ever had are gone.

Men in Atlanta, tryin' to pass for white,
Delia's in the graveyard, boys, six feet out of sight.
All the friends I ever had are gone.

Judge says to Curtis, "What's this noise about?"
"All about them rounders, Judge, tryin' to cut me out."
All the friends I ever had are gone.

Curtis said to the judge, "What might be my fine?"
Judge says, "Poor boy, you got ninety-nine."
All the friends I ever had are gone.

Curtis' in the jail house, drinking from an old tin cup,
Delia's in the graveyard, she ain't gettin' up.
All the friends I ever had are gone.

Delia, oh Delia, how can it be?
You loved all them rounders, never did love me.
All the friends I ever had are gone.

Delia, oh Delia, how can it be?
You wanted all them rounders, never had time for me.
All the friends I ever had are gone.

Bob Dylan

Copyright ©1993 Special Rider Music


Tabbed by Eyolf Østrem at  dylanchords 

 

The Ballad of Delia Green and Moses "Cooney" Houston

A murder tale in three posts

Dug up by  John Garst

June 10, 2000

When I told John Cowley I had found Ella Speed, he said, "Well, go find Delia.   You live in Georgia, and Robert W. Gordon wrote a letter saying that Delia was killed in Savannah.  His papers are lost, so we don't have his interviews with Delia's mother or the detective who investigated the case, but this ought to be enough information for you to find it."
 
So it was.  I got around to looking seriously for it after lunch today, and within two hours I had it.
 
Delia Green, age 14, was shot and killed by Moses "Coony" Houston, age 16, in the Yamacraw section of Savannah (characterized for me by a local historian as "poor, black, and violent") at about 11:30 pm on Christmas Eve, 1900.  She died early Christmas morning in her bed at her home.  She had been receiving Coony's attentions for several months, but when Coony claimed her as "his girl" she denied it. This enraged Coony, who shot her without saying another word.

Also, thanks to Eyolf Østrem,  you can read the rest of this story  here

Life = Art = Life = Art = Life = Art = Life = Art = Life = Art = Life = Art = Life = Art (ad infinitum)

I've always been attracted to poster art, especially when it's connected to a cause that I'm passionate about.  The visceral impact of this kind of art which represents the voices and ideologies of "the people" is like none other to me.  The current Occupy Movement has inspired some visually terrific, unique and diverse art from artists all over the United States and the World.  Here are some of my favorite posters.

and

 

^

Creator:   Christy Road, Brooklyn, NY 

 

 

 

^

Creator:  David Loewenstein, Lawrence, Kansas

 

 

^

Creators: Ernesto Yerena, Orlando Arenas, Sandra Castro & Ricardo Lopez

Hechoconganas  Phoenix, Arizona & Los Angeles, California 

 

 

 

^

Creator: Maya Mihindou, Gabon, Africa/Paris, Europe 

(no link available)

 

 

 

^

Creator: Cannon Dill, Oakland, CA 

(no link available) 

 

 

 

 

^

Creator:  Art Hazelwood, California

^

 Creator:  Pete Yahnke Railand Albuquerque, New Mexico 

 

 

 

^

Creator: Ronnie Goodman, San Francisco, CA (no link available)

See more at: Occuprint.Posters

Lalo Alcaraz - A Cartoonist's Guide to Life

Creator  Lalo Alcaraz

The Times We've Known

"It was the best of times, it was the worst of times; it was the age of wisdom, it was the age of foolishness; it was the epoch of belief, it was the epoch of incredulity; it was the season of Light, it was the season of Darkness; it was the spring of hope, it was the winter of despair; we had everything before us, we had nothing before us”   Charles Dickens, A Tale of Two Cities

Bob Dylan - The Times We've Known (by Charles Aznavour)

Madison Square Garden

New York City, New York

November 1, 1998

Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), Larry Campbell (guitar), Tony Garnier (bass), David Kemper (drums & percussion)

The times we've known are slipping by
like vapour trails across the sky
The best of times, the worst of times
Have come and gone

The years of debt, the years of doubt
the years of 'what's it all about?'
Of holding fast, and holding out
And holding on

When life was hard and chances few
Still I was rich just having you
Though people said we won't go far
We went ahead and here we are

Together still through everything
Together still remembering
The times we've known

Sometimes the years were lush and green
Sometimes we lived on hope alone
A little bit of both have been
The times we've known

Some lucky flings, some rotten breaks
Some funny things, a few mistakes
The dreams that every dreamer takes
And makes his own

The time to laugh, a time to cry
A time to let the world go by
And if there were some tears to pay
No one can take those years away

On fragile wings our days have flown
Still we have things to call our own
The times we've known
The times we've known
The times we've known